Le commerce et la circulation des objets d’art 1792-1914
Ventes aux enchères, marchands/es, collectionneurs/ses et musées
Colloque
Colloque organisé par Rossella Froissart (École Pratique des Hautes Études-PSL, Saprat), Natacha Coquery (Université Lumière Lyon 2, LARHRA), Camille Mestdagh (Université Lumière Lyon 2, LARHRA), Igor Moullier (ENS Lyon, LARHRA), Diana Davis (Université de Buckingham, Royaume-Uni).
Ce colloque international portera sur le rôle des ventes aux enchères, des marchands, des collectionneurs et des musées dans la circulation des objets d’art (arts décoratifs) de 1792 à 1914. Commençant en 1792, année des premières ventes des biens des émigrés à l’époque de la Révolution française, jusqu’au début de la Première Guerre mondiale, la période choisie est marquée par de profonds changements politiques et socio-économiques qui ont bouleversé le marché de l’art.
Informations pratiques :
Dates : du mercredi 25 au vendredi 27 septembre 2024
Lieu : Musée des Beaux-Arts, Auditorium Henri Focillon – 20 place des Terreaux, 69001 Lyon
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PROGRAMME
Mercredi 25 septembre 2024
10.30: Welcome – Camille Mestdagh and Diana Davis, musée des Beaux-Arts de Lyon
Daniel Alcouffe, Conservateur général honoraire au musée du Louvre
Introduction: Les arts décoratifs : une ressource pour l’avenir de l’histoire de l’art
Tom Stammers, The Courtauld Institute of Art
Opening lecture: Dealing with the decorative arts: sources, paradigms and problems
11.30-13.00 SESSION 1 – The Auction: A Window on the Decorative Arts Market Moderator: Suzanne Higgott, Independent scholar, formerly the Wallace Collection
Helen Jacobsen, University of Oxford, Executive Director, The Attingham Trust
The anatomy of an auctioneer: Harry Phillips and the growth of the decorative art market in London, 1796-1839
Stuart Moss, University College London
‘Schöne Kunstsachen aller Art’: decorative art at the Munich secularisation sales, 1803-1807
Sabine Lubliner-Mattatia, Sorbonne Université
From the limelight to the spotlight: the jewellery sales of actresses in 19th-century Paris
14.00-15.30 SESSION 2 – Fluid Boundaries: Defining the Antique Dealer
Moderator: Paola Cordera, Associate Professor, Politecnico Milano, School of Design
Lucie Chopard, Saprat, Ecole Pratique des Hautes Etudes – PSL
The Sichel Brothers and the Parisian art market: commercial networks and strategies
Servane Rodié-Dumon, Université d’Artois
Objects in motion: Emile Peyre’s collection of decorative art and the South Kensington Museum
Nathalie Neumann, Provenance researcher, formerly Johannes Gutenberg-Universität, Mainz
Reconstructing the art collection of Felix Ganz (1869-1944): from Constantinople to Northern Europe
16.00-17.30 SESSION 3 – Dealer Decorators in the Gilded Age: Shaping Taste in the New World
Moderator: Adriana Turpin, Professor, IESA Arts and Culture
Justine Lécuyer, Sorbonne Université
Tapissiers – Interior decorators as experts, antique dealers and collectors: the example of Rémon and Alavoine
Flaminia Ferlito, Scuola Alti Studi Lucca
Stanford White: Italian Baroque elegance and the decorative art market
Aniel Guxholli, McGill University, School of Architecture
The culture market: American firms and French decorative arts in Montreal
Jeudi 26 septembre 2024
9.00-11.00 SESSION 1 – The Art market and the Museum: Collecting, Display and Knowledge
Moderator: Caroline McCaffrey-Howarth, PhD, Lecturer, University of Edinburgh
Françoise Barbe, Conservatrice en chef du patrimoine, Fernando Filipponi, Chargé de recherche, musée du Louvre
The commerce and circulation of maiolica between Italy and France, 1850-1902: a case study of the Argnani collection in the musée du Louvre
Félix Zorzo, National Museums Scotland
The public collecting of Spanish ceramics in 19th-century Edinburgh
Maialen Maugars, University of Warwick
Collecting Italian Renaissance decorative arts for the Birmingham Museum and Art Gallery, 1881-1889
Mirjam Dénes, Museum of Fine Arts, Ferenc Hopp Museum of Asiatic Arts, Budapest
Crafting connections, making meanings and sealing deals: Jenő Radisics and the international network of the Budapest Museum of Applied Arts, 1897-1914
11.30-13.00 SESSION 2 – Collectors and their Networks of Acquisition
Moderator: Elodie Baillot, Maîtresse de conférences, Université Lumière Lyon-2
Armandine Malbois, Saprat, École Pratique des Hautes Études – PSL, Ecole du Louvre
The Schlichting taste: collecting 18th-century French decorative arts for the Louvre, 1880-1914
Agnès Bos, Déléguée générale, Comité des Travaux Historiques et Scientifiques, École nationale des chartes-PSL
A very special collection: The Marquise Arconati Visconti (1840-1923), her network and personal choices
Paula Maria de la Fuente Polo, Universidad Rey Juan Carlos, Madrid
The Formation of the Hispano-Moresque Ceramic Collection of Don Guillermo de Osma y Scull
14.30-15.30 SESSION 3 – Networks and Cultural Exchange across the Oceans Moderator: Florencia Rodríguez Giavarini, PhD Fellow, Centro de Investigaciones en Arte y Patrimonio, Buenos Aires
Gustavo Brognara, Universidade de São Paulo
Cultural exchanges: the circulation of European decorative arts in Brazil
Paolo Coen, Università di Teramo
The export of art objects from Rome to Australia and New Zealand, 1884-1904
16.00-17.30 SESSION 4 – The Middle East and Asia in Europe: Inventing Genres and Forming Taste
Moderator: Elizabeth Emery, Professor, Montclair University
Mercedes Volait, CNRS
‘Arab antiques?’ : scrutinising an Egyptian collection of Middle Eastern artefacts dispersed in the wake of the Paris 1867 Exposition Universelle
Akane Nishii, CRJ-EHESS, CY Cergy Paris Université
The export of Japanese decorative arts from Yokohama in the 1870s
Maria Metoikidou, University of Glasgow
Shifting perspectives on Japonisme collecting: exploring the case of Gregorios Manos in the market for Japanese objects
Vendredi 27 septembre 2024
9.00-10.30 SESSION 1 – Connoisseurship: Framing Objects for the Market
Moderator: Damien Delille, Maître de conférences, Université Lumière Lyon-2
Inès Maechler, École Pratique des Hautes Études – PSL, Saprat
The Paris 1876 Retrospective Exhibition of tapestries: institutions, collectors and the development of a market
Pauline d’Abrigeon, Fondation Baur/ École Pratique des Hautes Études- PSL
Pathways of the ‘Famille Rose’ in the Parisian art market during the second half of the 19th century: from the success of a term to the success of the object
Nick Pearce, University of Glasgow
A new taste for the old: collecting Chinese ceramics,1910
11.00-12.30 SESSION 2 – From Floor to Ceiling: Reconfiguring Objects for the Market Moderator: Jérémie Cerman, Professeur, Université d’Artois
Kassiani Kagouridi, University of Ioannina
Tailoring the ‘Baluchistan’ carpets: art market and art historiography interplay in late 19th and early 20th-century Europe
Mei Mei Rado, Bard Graduate Center
Fragments, encyclopedia, and industry: Japanese silk samples collected and sold by Siegfried Bing and Hayashi Tadamasa
Roberta Aglio, Universitat Rovira i Virgili, Tarragona
The dispersion, circulation and reuse of ceiling panels in France in the 19th and 20th centuries
13.30-16.00 – SESSION 3 – Rethinking Research Approaches for the Digital Age
Moderator: Sandra van Ginhoven, Head, Getty Provenance Index, Getty Research Institute
Camille Mestdagh, Université Lumière Lyon-2 (ANR/ACCESS ERC), Morgane Pica, ENS Lyon
A presentation of project OBJECTive : objects through the art market
ROUND TABLE
Lynn Catterson, University of Columbia, NY
Stefano Bardini, mapping a dealer’s transnational network
Mark Westgarth, University of Leeds
Antique dealer archives in the digital age
Anne-Sophie Radermecker, Université Libre de Bruxelles
Price-related sources in historical contexts: the case of the Val Saint Lambert crystal glassware manufactory
Koenraad Brosens, KU Leuven University
Project Cornelia and slow digital art history: a new path in the study of Flemish tapestries
Conclusion – Pierre Vernus, Université Lumière Lyon-2, LARHRA, Head of Project SILKNOW
16.00-16.30 – Final words – Natacha Coquery, Igor Moullier, Paola Cordera